Nintendo's Lawsuit Against Jesse Keighin: A Precedent for Copyright Enforcement

Since November 2024, Nintendo has been aggressively pursuing the case against Jesse Keighin, known under the pseudonym EveryGameGuru.
The lawsuit focuses on extensive allegations of copyright infringement, including the distribution of emulators, illegal streams before game releases, and the sharing of decryption codes.
Although the case initially appears to be an isolated measure, it is suspected to be part of a larger deterrent strategy. Critically, allegations of evidence destruction and deliberate obstruction of the service process are also being considered, further weakening the defendant's position.
Strategic Orientation of the Lawsuit
The lawsuit against Keighin consolidates numerous forms of digital copyright infringement into a single proceeding. Nintendo accuses the defendant of not only undermining its own titles through "illegal Switch emulators" and "unauthorized public performances" but also of inciting the mass distribution of pirated copies. Particular emphasis is placed on the live-streaming of unreleased games, which is classified in the complaint as a "reproductive violation of intellectual property."
In parallel, the sharing of small files, such as decryption keys, is considered a violation of the Digital Millennium Copyright Act (DMCA).
This argument aims to legally capture even marginal actions in order to create a broad signaling effect. "Relatively minor individual actions can have serious consequences," can be inferred from the complaint – an indication of the deterrent intention behind the proceedings.
Escalation Through Destruction of Evidence
Even before the lawsuit was filed, Nintendo faced challenges that went beyond purely legal aspects. In an email dated November 8, 2024, Keighin was asked to restore deleted online content in order to comply with his "duty to preserve evidence." The request went unanswered, prompting Nintendo to publicly speak of "intentional obstruction of service."
Multiple service attempts at various addresses failed, even though five of these addresses had previously appeared in Keighin's DMCA counter-notices. A screenshot of a Facebook post in which the defendant declares "no interest in cooperation" underscores Nintendo's accusation of active obstruction. In addition, a social media post documents Keighin's intention to provoke the company by "wasting attorney fees" before he "lets Nintendo walk away empty-handed."
Collateral Effects
The Keighin case highlights the tensions between copyright enforcement and digital subculture. While Nintendo is acting with virtually no legal risk, as the individual case does not trigger a PR crisis, the gaming community faces a dilemma: emulator-based activities, often carried out out of nostalgia or technical interest, are increasingly coming under scrutiny in legal gray areas.
A comparable precedent from 2023, the lawsuit against the emulator platform Yuzu, ended with a settlement that did not provide any substantive clarification.
Keighin's announcement to "go down in video game history" could ironically achieve the exact opposite: an "uncontested default judgment" would give Nintendo a symbolic victory without setting any legal standards. TorrentFreak wrote about this in an article.
Commentary
The escalation of this case raises questions about the balance between law enforcement and public perception.
While Nintendo protects its brand, Keighin uses social media as a stage to transform legal proceedings into a personal power struggle. "Should have done more research on me," the defendant comments provocatively – an attitude that not only increases his risk but also reflects the complexity of modern copyright debates. "You might run a corporation. I run the streets."